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Copyright, Collaboration And The Future Of Dramatic AuthorshipStock informationGeneral Fields
Special Fields
DescriptionThis paper challenges the present legal system that prioritises the moral rights of the playwright and their sole ownership of a dramatic work. Recent public disputes between copyright holders and production companies over royalties, collaboration and the freedom to interpret a text, have led to a growing chorus arguing for the acknowledgement of non-writer collaborators and reform of the law to specifically address dramatic authorship. The author interviews a group of notable Australian practitioners to illustrate the complexity behind the creation and ownership of a theatrical work, and suggests that industry-based customary agreements, under the current copyright regime, are a more productive way to sustain harmonious collaborative relationships. |