We Are What We Pretend to Be : the First and Last Works
Author(s): Kurt Vonnegut
Written to be sold under the pseudonym of "Mark Harvey," this 22,000-word novella was never published in Vonnegut's lifetime. It appears (from the address on the manuscript, a suburb of Schenectady, New York and from the style and slant) to have been written in the late 1940s. Vonnegut was working in public relations for General Electric and used pseudonyms to protect himself from the charge of moonlighting. Vonnegut was trying to sell to the so-called slick magazines of the time like "The Saturday Evening Post" and "Collier's" while resisting the lure of science fiction - a tension throughout his professional career. "Basic Training" is a bitter, profoundly disenchanted story that satirizes the military, authoritarianism, gender relationships, parenthood and most of the assumed mid-century myths of the family. Haley Brandon, the adolescent protagonist, comes to the farm of his relative, the old crazy who insists upon being called The General, to learn to be a straight-shooting American. Haley's only means of survival will lead him to unflagging defiance of the General's deranged (but oh so American, oh so military) values.
This story and its thirtyish author were no friends of the milieu to which the slick magazines' advertisers were pitching their products. Another unexpected writer's influence underlies this story: J.D. Salinger. Throughout the '40s and before his move to New York, Salinger had produced short stories whose confused or slightly deranged young protagonists (most of them around the age of Haley Brandon) stumbled through pre- and postwar Manhattan and military service, experiencing mild disaffection, alienation and then terrible anger. All of them came to learn that the people who ran the show were as crazy and dangerous as those nominally on the other side. Shortly after these semi-whimsical social portraits were published, Salinger like Vonnegut was drafted, shipped into combat and involved in the Battle of the Bulge. In this novella, published in print for the first time, exist not only Vonnegut's influences and what later became his voice but Vonnegut's grand themes: trust no one, trust nothing; the only constants are absurdity and resignation, which themselves cannot protect us from the void but might divert.
Product Information
Kurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II. Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak. Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.
General Fields
- :
- : Vanguard Press Inc
- : Vanguard Press Inc
- : 30 September 2012
- : United States
- : 01 October 2012
- : books
Special Fields
- : Kurt Vonnegut
- : Hardback
- : 10-Dec
- : 192